"I am delighted to have recently joined Fine Art Brokers in New York, and am looking forward to answering your general enquiries about possible acquisitions and sales and also building relationships on behalf of the team. Having worked in art advisory and appraisals with well known companies for more than 10 years, I can vouch that the range of in-house expertise and level of experience within Fine Art Brokers is of the highest caliber. These assets can be invaluable not only to private clients and collectors, but also to fiduciaries, wealth managers and Trust & Estate professionals seeking an independent art resource. I will be working with the team in New York and London in initiating art talks on a variety of topics, and welcome your contact to include you in such events or just to chat about how we can help."
Impressionist & Modern Art Evening Sales, New York, Fall 2016
Sotheby’s, 7pm, 14 November
Christie’s, 7pm, 16 November
We are pleased to introduce the evening sales below. We realise that the value of these works falls outside the parameters of most of our clients, but the major works are a market indicator and have more interesting stories to tell. For information and our personal viewpoints on the Day sales, please contact Ray Waterhouse in New York or Adrian Biddell in London, who will both be viewing and attending the auctions.
At Sotheby's London on 10th November (7pm) and 11th November (10:30am)
These are interesting times for the Modern British market. Recent auctions have seen a greatly increased number of buyers from outside the UK who have been alerted to the perceived under-valuation of modern British artists in comparison to their American and European peers. The relative weakness of Sterling is only going aid this trend. The principal Modern British auctions will take place at Sotheby’s, Christie's and Bonham’s during the week starting 21st November; however a very significant indicator will happen before those sales. The auction of David Bowie’s fascinating collection on the 10th and 11th November will add a considerable sprinkling of A-list glamour to the market. Public viewing opened with a great fanfare on the 1st November and by lunch time on the 2nd I had already walked around the exhibition with 3 different collectors, one of whom had flown in from North Carolina. The venue struggles to handle the sheer volume of works for sale. The lots from the fine art sales mingle with the proliferation of lots from the Part III design sale, and together with the hordes of visitors this creates a rather overwhelming viewing experience. One has to be disciplined enough to imagine each lot individually, which is not always easy.
Last Wednesday, October 26th saw the first fair run by The European Fine Art Foundation (TEFAF) come to an end in New York, after a five day run. The reaction from visitors and exhibitors was very positive. TEFAF’s fair in Maastricht, which has run for 29 years, has long been the quality benchmark for all art fairs. One important factor that sets Maastricht apart is the vast range of very high quality works on offer across the fine art and decorative art spectrum; ‘museum quality’ is an overused term, but for Maastricht it is completely relevant. Another factor is the stringent vetting, which takes two days and involves a large number of museum curators and top specialists in their fields.
Adrian Biddell and Andrea Sebastian are pleased to represent Fine Art Brokers at the 51st Annual Heckerling Institute on Estate Planning. Considered the largest national conference of its kind, the annual event will take place in Orlando from January 9-13th, 2017. Fine Art Brokers will be on hand to introduce our services to over 2,500 Trusts & Estates professionals, including attorneys, fiduciaries, accountants and wealth managers.
The first part of an occasional guide, both informative and irreverent, to the art world’s usage and abusage of the English language, originally written by us in 1991 but still surprisingly relevant.
What have we learnt from the recent auctions in New York and the main art fairs - Spring Masters, Frieze and Art New York?
In short, we have learnt that there is still excellent demand for good quality works of art but a lack of available masterpieces and top quality works in general resulted in much lower sales totals than May 2015. Auctions saw good sales rates – the percentage of lots sold - and the art fairs were busy, with Frieze in particular reporting great results. Overall, the market has become less heated, which in an election year is predictable especially after the economic repercussions of the oil price. In the words of one of the best commentators on the market, Judd Tully, auctioneers and dealers were 'faced with a more discriminating market fixated on both quality and value'.
Fine Art Brokers announces an association with Winston Art Group for appraisal and valuation services
Fine Art Brokers is pleased to recommend Winston Art Group as a preferred provider of appraisal services. We realize the importance of keeping your collection’s appraisal up to date, and Winston Art Group is the nation’s leading art appraisal firm. Independent of any auction house or dealer, Winston Art Group specializes in confidential and objective appraisal services for all types of fine art, decorative art, jewelry and collectibles. For more information please contact us at firstname.lastname@example.org or contact Winston Art Group to schedule an appraisal appointment by e-mailing Claire Brown at email@example.com, or calling 1.212.542.5755.
Adrian Biddell discusses some of the highlights of the May 2016 sales of Impressionist & Modern Art at Sotheby's and Christie's
The Impressionist & Modern sales in New York are round the corner (sales scheduled at Sotheby's, Christie's, Phillips and Bonhams from 8th - 13th May). And this season the week is also host to the Sotheby's and Christie's Post-War and Contemporary sales as well. It means that the two sale categories are no longer spread out over a fortnight, but the auctions will take place within six days of each other. 2000 lots will be hammered down. If to this number you add the three main Fine Art Fairs that are scheduled to open the week before (during the auction houses' pre-sale viewing) – Art New York (begins 3 May) and Spring Masters and Frieze New York (both begin 5th May) - the exceptional number of items on offer from these collecting categories spread across Manhattan could easily exceed 8000.
By Jamie Anderson
Boom years in any market are usually characterised by rapid price rises by particular artists or groups. For what is classified ‘Modern British Art’, which is broadly speaking art executed in a modern and progressive style between 1900 and 1980, the Scottish Colourists and the Newlyn School defined the boom years of the late 1980s and in the 2000-2008 period Post-War Abstraction, particularly St Ives artists, became highly collectable. After the economic downturn that followed the Lehman Brother's collapse and the banking crisis, the market for large gestural abstraction lessened and became highly selective, allowing the market to develop and discover other collecting areas.
By Stefany Morris
Between May 5 and May 15, the main New York auction houses will feature no fewer than 11 sales comprised of Impressionist, Modern, Post-War and Contemporary Art. Monet takes center stage with 10 canvases, four of which are estimated at or above $15 million, Giacometti and Picasso are also poised to break records.
We are delighted that Adrian is joining Fine Art Brokers on June 1st from Sotheby’s, where he worked as an expert from 1987 until April 2015. He was Head of 19th Century European Paintings for 15 years, having previously worked for 12 years in the Impressionist and Modern Art Department.